MURDER LAND by Carlyn Greenwald

This review first appeared in Booklist on March 1, 2025.

Best friends Billie and Grace love a good theme-park conspiracy—so much so that they both land jobs at Californialand, a park brimming with harrowing history and sinister secrets. When Billie is assigned to Murder Land, the park’s latest addition inspired by California’s most infamous crimes, their excitement is paramount. Then one of their coworkers ends up dead—on a ride that Billie was supposed to be operating. Things quickly go from “apparent accident” to “apparent murder,” and Billie, fearing blame, takes it upon herself to find the culprits. But she is soon overwhelmed as Murder Land lives up to its name, and the bodies begin to pile up around her. Greenwald’s debut thriller, like a roller coaster in her titular park, delivers nonstop twists and turns as we barrel through a decades-spanning mystery. While the whodunit aspect feels somewhat convoluted, the story being told through the eyes of amusement park enthusiasts and urban explorers lends a fresh perspective on a tale as old as crime. Pair with Kiersten White’s Hide (2022) for maximum theme-park thrills.

DEADSTREAM by Mar Romasco-Moore

This review first appeared in Booklist on March 1, 2025.

After the traumatic death of her best friend, Teresa finds herself living in an increasingly small and suffocating world—reduced to the size of her bedroom, though she fears it might shrink even further. Her only reprieve from these dark thoughts—and her sole connection to the outside world—comes from the streaming community she’s recently joined. This safe space is suddenly shattered when a shadowy force begins to haunt people’s live streams, inexplicably leaving its victims in an eerie, unresponsive state. When a famous streamer dies shortly after one of these incidents, and the entity starts targeting Teresa and her small group of online friends, she becomes determined to stop it—even if it means facing her fears and leaving the confines of her self-imposed isolation. Romasco-Moore perfectly captures the irreverent and intentionally inscrutable spirit of today’s internet, telling a thoroughly terrifying and viscerally modern ghost story that explores themes of grief, identity, belonging, and the double-edged nature of social media. A companion to other online-savvy thrillers like Tatiana Schlote-Bonne’s Such Lovely Skin (2024) and Adam Cesare’s Influencer (2024).

FEBRUARY 2025

Hi. This was February. What can I tell you.

Frank Sinatra Has a Cold by Gay Talese, Phil Stern. I’ve read Talese’s renowned profile a handful of times before, but this book’s lavish, elegant production proved hard to resist. The inclusion of high-resolution reproductions of many of the notes taken by Talese while researching the story, presented alongside Stern’s striking snapshots, makes this not just an invaluable volume but a visually stunning one as well.

Sourdough by Robin Sloan. A re-read. A favorite, for sure. It just has such a cozy, feel-good vibe. I’ve always admired Sloan’s sheer willingness to follow his already far-out ideas down the weirdest, most fascinating rabbit holes. Mostly, though, I love how loyal Sloan is to his quirky, sentient fungi creation. That this book is a direct predecessor to Moonbound is absolutely wild, considering how vastly different they are as stories. But it also makes perfect sense. Good stuff.

The Suitcase Clone by Robin Sloan. Reading this right after finishing Sourdough was the right move, as I caught connections and references that went completely over my head the first time I picked this up. A really fun, lively caper. In the same way its parent novel makes me want to be a bread bro, this makes me want to be a wine guy.

“In the Stacks (Maisie’s Tune)” by Robin Sloan. I first read this a couple of years ago during my lunch break at work, whereupon it reduced me to tears. Since I am apparently re-reading the entirety of Sloan’s oeuvre, I decided to give it another read (also at work, though not during my lunch break) (don’t tell on me). Again: I was reduced to tears. Possibly the most heart-warming, life-affirming story I’ve ever read. Possibly my favorite short story of the past decade.

“The Vanishing Man” / “On Enemy Ground” / “Shaken, Not Stirred” by Alma Katsu. When I finished the first short story in this terse trilogy, I was ready to condescendingly commend Katsu for her obvious love and enthusiasm for James Bond and spy fiction in general. Then I read her biography and learned that she actually worked in the intelligence community for more than thirty years. Assuming is how you make an ass out of yourself, etc. Anyway, this is a great set of short series, with a protagonist who serves as a perfect counterpoint for Bond—a spy who’s got the looks and the killer instinct, but lacks the sophistication and finesse. What Bond would be if here simply just a blunt instrument (that happened to be wielded by the Soviets). The third entry was probably my favorite, if mostly because of all the little nods to Fleming and 007, particularly with having Jamaica as the setting for the climax. Good show. 

“Elyse Flayme and the Final Flood” by Robin Sloan. Another of my favorite things about Sloan’s writing is how he uses it not only to expound and expand on his ideas, but to discover them, as well. In the contrivances of this plot, you can clearly see the seeds that would develop into other stories of his: Moonbound, most notably, but also Annabel Scheme and the Adventure of the New Golden Gate—all entirely different yarns, but thematically linked. It’s the kind of writing I wish I could do.

“Mr. Penumbra’s 24-Hour Bookstore” by Robin Sloan. The Sloan spree continues. I must have read this one ages ago, but I have no real memory of it. Reading it made me realize just how little I recall from the actual novel, too, so it’s a good thing a paperback copy is on its way here. The short story itself was just fine—early Sloan, of course, but his distinct style was already very much on display.

“The Hildebrand Rarity” by Ian Fleming. Very fitting that I happened to have been reading this most excellent of Bond short stories when the not-so-excellent film news dropped. Still one of my favorite Bond tales—basically a showcase for Fleming’s exceptional use of location and atmosphere. Just some really solid storytelling. 

I also read two other books to be discussed at a later date.


Books Bought:

  • The Writing Retreat by Julia Bartz
  • Book Lovers by Emily Henry
  • Slow Dance by Rainbow Rowell
  • From Ted to Tom: The Illustrated Envelopes of Edward Gorey by Edward Gorey, edited by Tom Fitzharris
  • Casino Royale by Ian Fleming
  • Mr. Penumbra’s 24-Hour Bookstore by Robin Sloan
  • The Best American Science Fiction and Fantasy 2023 edited by R.F. Kuang
  • Busy Doing Nothing by Rekka Bellum, Devine Lu Linvega
  • The Tatami Galaxy by Tomihiko Morimi, translated by Emily Balistrieri

Until next time.

HOW TO SURVIVE A SLASHER by Justine Pucella Winans

This review first appeared in Booklist on February 1, 2025.

Welcome to Slasherville, Ohio. The small town of Satterville earned its sinister nickname by being the site of gruesome murders committed by two individuals wearing cheap plastic wolf masks—events that became infamous after a series of sensational novels about the killings gained immense popularity. The bloody legacy of the Wolf Man attacks weighs heavily on CJ, who witnessed their father’s murder during the last spree and who, years later, mysteriously receives the manuscript for a new Slasherville novel. When someone starts killing again, seemingly using the unpublished book as a guide, CJ knows they must unmask this new Wolf Man and confront their trauma once and for all. Aspiring to give a generation their own Scream, Winans (Bianca Torre Is Afraid of Everything, 2023) delivers a thoroughly modern thriller that’s both a sharp slasher and a clever commentary on the genre. This contributes to the growing trend of horror stories, like Kalynn Bayron’s You’re Not Supposed to Die Tonight (2023), told from the perspective of queer protagonists, offering new, refreshing takes on an otherwise widely explored genre.

JANUARY 2025

Hello. This was January, when I promptly got sick right after my ordeal of a house move and remained ill for the entire duration of the month. At the time of this writing, my body is just now starting to get rid of all the crud. Fun times. Not the most auspicious of beginnings to a new year, needless to say, but it’s not the hand you’re dealt it’s how you play your cards or however the saying goes I don’t care I am just so over being sick.

Maladies notwithstanding, I still managed to get some decent reading in, because that is what I do.

“Proposal for a book to be adapted into a movie starring Dwayne The Rock Johnson” by Robin Sloan. Mentioned this in my previous wrap-up, so of course I had to read it again. An engaging and entertaining piece of short fiction—albeit a little naive in retrospect, given all we’ve learned (mostly against our will) about The Rock lately. I fully believe Johnson could still become president one day, and I am finding that notion less and less amusing.

The Fellowship: The Literary Lives of the Inklings by Philip Zaleski, Carol Zaleski. Started this one way back in August. Despite my many highlights and annotations (inevitable, given the rhetorical finesse of its subjects), I don’t think I have any substantial takeaways from this book. The Zaleskis are religious scholars, and they approach the material from a Christian perspective, which makes for some interesting interpretations—as well as some questionable conjectures. Given their evangelical predisposition, it also means that their focus fell primarily on Lewis and Tolkien, with the other Inklings—Owen Barfield and Charles Williams—getting the proverbial short shrift. (Although to be fair, this is a tome of a book, so even their “cursory” treatment still turned out to be reasonably comprehensive—the Zaleski’s are academics above all else, and their exhaustive research is evident). In the end, though, this was more of a theological biography of a couple of members of a literary circle than it was a thorough scholarly exploration of said circle, which I would have found far more preferable.

“On the Pleasures of Taking Up One’s Pen” by Hilaire Belloc. Specifically, Malcolm Guite’s wonderful reading of the short essay, which really brought it to life for me. First time coming across this passionate ode to a writing instrument, and I found it quite lovely. 

One of the things I wanted to do in the new year was pick my physical journal back up, and of course that translates to me looking up pieces that romanticize—pretty much fetishize—the act of writing itself. Happy to say that I’ve kept up with the journaling habit thus far, and it’s doing wonders for my mental health. Much needed during this, the dumbest of dystopias

The Mythmakers: The Remarkable Fellowship of C.S. Lewis & J.R.R. Tolkien by John Hendrix. An undoubtedly beautiful book. Hendrix’s illustrations are simply stunning: from his highly imaginative compositions to his spectacular use of color. As a piece of biography, though, it’s unfortunately a little lacking. It is too brief where elaboration is needed and overly detailed where succinctness would suffice. Also, a lot of the prose just falls flat, lacking any sort of flair. I understand that this volume is ostensibly meant for children, but when your subjects are two titans of the English language one can’t be faulted for expecting a bit more panache. Still, Hendrix’s love for the two legendary scribes shines through, and that, along with the spectacular artwork, makes this a worthwhile read.

Curiously, like The Fellowship, this also takes a Christian approach to its subject matter. As a certified heathen, this wasn’t at all planned, but I thought it was an interesting coincidence. 

Process: The Writing Life of Great Authors by Sarah Stodola. Loved reading this. Very similar to Mason Currey’s Daily Rituals, which I read and enjoyed a couple years back, but this felt far more focused and engaging. A spectacularly researched collection of highly engrossing and enlightening essays. Stodola’s writing is wonderful, and so vivid that even the entries featuring long-dead authors feel like actual interviews she was conducting. It’s great. Lots of standout pieces, but the one focusing on Joan Didion is probably my favorite.


I’ve also been reading Nick Hornby’s Stuff I’ve Been Reading columns for The Believer. I like that he always makes note of the book he’s bought during that particular reading season. I want to adopt this practice. For accountability, mostly: I use a Kindle, for which I buy entirely too many ebooks. For obvious reasons, I am increasingly loath to give Amazon more of my money, so I definitely want to work on curtailing that particular habit. There are practical reasons, too, of course: I have literally thousands of unread books on my Paperwhite, and I don’t really need to keep adding to that digital pile. 

That’s the ideal, anyway. We’ll see how things actually pan out.

Still bought a ridiculous amount of books in January:

  • The Reformatory by Tananarive Due
  • Incidents Around the House by Josh Malerman
  • This Appearing House by Ally Malinenko
  • Vampires of El Norte by Isabel Cañas 
  • Adventures of a Cat-Whiskered Girl by Daniel Pinkwater 
  • The Yggysey by Daniel Pinkwater
  • The Neddiad by Daniel Pinkwater
  • Three Act Tragedy by Agatha Christie
  • Dumb Witness by Agatha Christie
  • Taken at the Flood by Agatha Christie
  • The Labors of Hercules by Agatha Christie
  • What I Talk About When I Talk About Running by Haruki Murakami
  • Dungeon Academy: No Humans Allowed! by Madeleine Roux
  • The Fiction Writer by Jillian Cantor
  • The Book That No One Wanted to Read by Richard Ayoade
  • Glamorous Notions by Megan Chance
  • The Race to the Future by Kassia St. Clair
  • The Unstrung Harp by Edward Gorey
  • Still Writing: The Perils and Pleasures of a Creative Life by Dani Shapiro 
  • Slouching Towards Bethlehem by Joan Didion

Like I said: an ideal.

THE LABYRINTH OF SOULS by Leslie Vedder

This review first appeared in Booklist on January 1, 2025.

Ix Tatterfall can see Nightmares—something that makes her an outcast in her small hometown but a considerable asset for the Candle Corps, who guard the kingdom of Spinar against the fearsome Nightmares that sometimes crawl out of the legendary Labyrinth of Souls. The mysterious maze has grown increasingly unstable due to the schemes of a terrifying scarecrow figure calling himself Jack, and it’s up to Ix and her newfound friends to embrace their budding powers and save not only the Labyrinth but their own Waking World as well. Vedder offers a fantasy full of intrigue, countless imaginative creatures, and instantly endearing characters. While the world building can be a little overwhelming, it’s sure to ignite the imagination of readers and leave them wanting more. Hand The Labyrinth of Souls to fans of magic-school series such as Shannon Messenger’s Keeper of the Lost Cities (2012) and Jessica Townsend’s Nevermoor (2017) and watch them devour this book.

IT’S WATCHING by Lindsay Currie

This review first appeared in Booklist on January 1, 2025.

Best friends and budding reporters Josie, Alison, and Jackson want to write a groundbreaking article for their school newspaper. So, on Halloween night, they head to their town’s old cemetery, hoping to prove the existence of ghosts. Their efforts seem fruitless at first, and the friends walk out with nothing but damp, dirty clothes and shattered nerves following a close call with a security guard. Then they start receiving sinister messages on their phones, and weird things keep happening wherever they go. An angry ghost has followed them out of the cemetery, they soon realize, and the intrepid trio must figure out why it’s haunting them before the ominous countdown that’s appeared on their phones runs out—or else. Brimming with creepy imagery and unsettling scenarios, Currie’s latest supernatural mystery is bound to thrill. Historical details are woven naturally into the plot, adding a fascinating layer of fact on top of the haunted happenings, making this story appealing to fans of the curious and unusual. Pair with Holly Black’s Doll Bones (2013) and India Hill Brown’s The Forgotten Girl (2019).